You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
Edward NortonEveryone thinks that Fight Club is a very important and successful film, but it was a massive box-office failure. Massive. It was a big flop by any commercial-release standard. And it's been a huge hit on DVD. Everything that movie has become has been on DVD. So you can't stake your sense of creative success on this whole box-office-performance matrix, because if you do, you're going to be disappointed most of the time.
Edward NortonI'm not a very methodologically pure actor. Almost every time that I start, I feel completely at sea. Always at the beginning I feel like a fraud, really, because I'm never sure how to get started.
Edward NortonI like to get into a lot of things besides movies. I've been very involved with a few specific efforts. We built this park in New York and it's been a very successful project... I worked on a conservation project in East Africa... Too much of this type of stuff can get you wrapped up in your own work and I love it.
Edward NortonI've been friends with the guys in Radiohead for a lot of years, and I watch the way those guys work with incredible envy. Because whatever the slings and arrows of dealing with the record business, at the end of the day, they have total creative autonomy. They don't need a lot to do what they do, and Thom [Yorke] and Jonny [Greenwood] and the guys have their own joint in their hometown.
Edward Norton