I tend to have a kind of tunnel vision when I'm looking at an individual piece.

You can't control everything that comes to you.

The more you do your homework, the more you're free to be intuitive. But you've got to put the work in.

Screenplays aren't written to be read, they're written to be made into movies.

I always felt that acting was an escape, like having the secret key to every door and permission to go into any realm and soak it up. I enjoy that free pass.

I don't feel insecure about any of this work anymore. Maybe I don't have what I had when I was younger. I'm not really hungry to prove anything to anybody, really. But when I stand outside myself and observe what I think are my strengths and weaknesses going into directing, it's what you just said, an affliction to organize moments.

Identical twins are endemically alike in many ways.