I think the consensus among our generation and people younger than us is that we do have a defining challenge in the moment, so I do like being involved in something bigger than the finger-doodling I do in art. It stimulates your brain in certain ways.

You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.

For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.

A lot of people ask, "What do you pull on in your own life from your character?" In all honesty, it's not something that really works that way for me. I tend to look at these things as an imaginative process and a challenge of imagination and empathy, to some degree. I get much more out of meeting people who have lived these lives than I do digging around in my own limited experiences.

There are tens of thousands of charities and hundreds of thousands, getting towards millions, of people now using it. And when I flip through it, I'm just blown away by people.

If I ever have to stop taking the subway, I'm gonna have a heart attack.

When people come together too young, they try to become one person. As you get older, you realize that you don't want to become one person because then you lose the person you are.