I emphasize in it [my Orientalism] accortdingly that neither the term Orient nor the concept of the West has any ontological stability; each is made up of human effort, partly affirmation, partly identification of the Other.

It [9/11 event] was aimed at symbols: the World Trade Center, the heart of American capitalism, and the Pentagon, the headquarters of the American military establishment. But it was not meant to be argued with. It wasn't part of any negotiation. No message was intended with it. It spoke for itself, which is unusual.

Speaking as a New Yorker, I found [September 11] a shocking and terrifying event, particularly the scale of it.

Look at situations as contingent, not as inevitable, look at them as the result of a series of historical choices made by men and women, as facts of society made by human beings, and not as natural or god-given, therefore unchangeable, permanent, irreversible.

In 1985, a group of mujahedeen came to Washington and was greeted by President Reagan, who called them "freedom fighters." These people, by the way, don't represent Islam in any formal sense. They're not imams or sheiks. They are self-appointed warriors for Islam.

The history of other cultures is non-existent until it erupts in confrontation with the United States.

Captain Ahab was a man possessed with an obsessional drive to pursue the white whale which had harmed him - which had torn his leg out - to the ends of the Earth, no matter what happened. In the final scene of the novel, Captain Ahab is being borne out to sea, wrapped around the white whale with the rope of his own harpoon and going obviously to his death. It was a scene of almost suicidal finality.