It's very hard, for example, to justify the thirty-four-year occupation of the West Bank and Gaza. It's very hard to justify 140 Israeli settlements and roughly 400,000 settlers.

We are at a point in our work when we can no longer ignore empires and the imperial context in our studies. (p. 5)

It [9/11 event] was aimed at symbols: the World Trade Center, the heart of American capitalism, and the Pentagon, the headquarters of the American military establishment. But it was not meant to be argued with. It wasn't part of any negotiation. No message was intended with it. It spoke for itself, which is unusual.

Ironically, many of these people, including Osama bin Laden and the mujahedeen, were, in fact, nourished by the United States in the early eighties in its efforts to drive the Soviets out of Afghanistan.

... the connection between imperial politics and culture is astonishingly direct. American attitudes to American "greatness", to hierarchies of race, to the perils of "other" revolutions (the American revolution being considered unique and somehow unrepeatable anywhere else in the world) have remained constant, have dictated, have obscured, the realities of empire, while apologists for overseas American interests have insisted on American innocence, doing good, fighting for freedom.

Speaking as a New Yorker, I found it (9/11 event] a shocking and terrifying event, particularly the scale of it. At bottom, it was an implacable desire to do harm to innocent people.

I take criticism so seriously as to believe that, even in the midst of a battle in which one is unmistakably on one side against another, there should be criticism, because there must be critical consciousness if there are to be issues, problems, values, even lives to be fought for... Criticism must think of itself as life-enhancing and constitutively opposed to every form of tyranny, domination, and abuse; its social goals are noncoercive knowledge produced in the interests of human freedom.