exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted. And while it is true that literature and history contain heroic, romantic, glorious, even triumphant episodes in an exile’s life, these are no more than efforts meant to overcome the crippling sorrow of estrangement.

This [terrorists attacks on 9/11] was part of nothing. It was a leap into another realm - the realm of crazy abstractions and mythological generalities, involving people who have hijacked Islam for their own purposes. It's important not to fall into that trap and to try to respond with a metaphysical retaliation of some sort.

Since the time of Homer every European, in what he could say about the Orient, was a racist, an imperialist, and almost totally ethnocentric.

Part of the main plan of imperialism... is that we will give you your history, we will write it for you, we will re-order the past...What's more truly frightening is the defacement, the mutilation, and ultimately the eradication of history in order to create... an order that is favorable to the United States.

But I do not know whether the photograph can, or does, say things as they really are. Something has been lost. But the representation is all we have.

...it is sensible to begin by asking the beginning questions, why imagine power in the first place, and what is the relationship between one's motive for imagining power and the image one ends up with.

Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient—dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it: in short, Orientalism as a Western style for dominating, restructuring, and having authority over the Orient.