But I do not know whether the photograph can, or does, say things as they really are. Something has been lost. But the representation is all we have.

History is written by those who win and those who dominate.

This [terrorists attacks on 9/11] was part of nothing. It was a leap into another realm - the realm of crazy abstractions and mythological generalities, involving people who have hijacked Islam for their own purposes. It's important not to fall into that trap and to try to respond with a metaphysical retaliation of some sort.

These actions were taken with the support and financing of the United States. How can you say this is part of U.S. adherence to international law and U.N. resolutions? The result is a kind of schizophrenic picture of the United States.

I emphasize in it [my Orientalism] accortdingly that neither the term Orient nor the concept of the West has any ontological stability; each is made up of human effort, partly affirmation, partly identification of the Other.

Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient—dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it: in short, Orientalism as a Western style for dominating, restructuring, and having authority over the Orient.

But I do not know whether the photograph can, or does, say things as they really are. Something has been lost. But the representation is all we have.