But I do not know whether the photograph can, or does, say things as they really are. Something has been lost. But the representation is all we have.

I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.

It [destroying Twin Towers] was a leap into another realm - the realm of crazy abstractions and mythological generalities, involving people who have hijacked Islam for their own purposes. It's important not to fall into that trap and to try to respond with a metaphysical retaliation of some sort.

If you look at the curricula of most universities and schools in this country [USA], considering our long encounter with the Islamic world, there is very little there that you can get hold of that is really informative about Islam. If you look at the popular media, you'll see that the stereotype that begins with Rudolph Valentino in The Sheik has really remained and developed into the transnational villain of television and film and culture in general.

They [root causes of terror] come out of a long dialectic of U.S. involvement in the affairs of the Islamic world, the oil-producing world, the Arab world, the Middle East - those areas that are considered to be essential to U.S. interests and security.

I am for peace. And I am for a negotiated peace. But this accord is not a just peace.

What is quite worrisome is the absence of analysis and reflection. Take the word "terrorism." It has become synonymous now with anti-Americanism, which, in turn, has become synonymous with being critical of the United States, which, in turn, has become synonymous with being unpatriotic. That's an unacceptable series of equations.