My argument is that history is made by men and women, just as it can also be unmade and rewritten, always with various silence and elisions, always with shapes imposed and disfigurements tolerated.

They [root causes of terror] come out of a long dialectic of U.S. involvement in the affairs of the Islamic world, the oil-producing world, the Arab world, the Middle East - those areas that are considered to be essential to U.S. interests and security.

To say that we're going to end countries or eradicate terrorism, and that it's a long war over many years, with many different instruments, suggests a much more complex and drawn-out conflict for which, I think, most Americans aren't prepared.

...it is sensible to begin by asking the beginning questions, why imagine power in the first place, and what is the relationship between one's motive for imagining power and the image one ends up with.

The Orient and Islam have a kind of extrareal, phenomenologically reduced status that puts them out of reach of everyone except the Western expert. From the beginning of Western speculation about the Orient, the one thing th orient could not do was to represent itself. Evidence of the Orient was credible only after it had passed through and been made firm by the refining fire of the Orientalist’s work.

This [9/11 event] was bloody-minded destruction for no other reason than to do it. Note that there was no claim for these attacks. There were no demands. There were no statements. It was a silent piece of terror. This was part of nothing.

[Roots of terrorism] come out of a long dialectic of U.S. involvement in the affairs of the Islamic world, the oil-producing world, the Arab world, the Middle East - those areas that are considered to be essential to U.S. interests and security.