If you look at the curricula of most universities and schools in this country [USA], considering our long encounter with the Islamic world, there is very little there that you can get hold of that is really informative about Islam. If you look at the popular media, you'll see that the stereotype that begins with Rudolph Valentino in The Sheik has really remained and developed into the transnational villain of television and film and culture in general.

The history of other cultures is non-existent until it erupts in confrontation with the United States.

Until the June 1967 war I was completely caught up in the life of a young professor of English. Beginning in 1968, I started to think, write, and travel as someone who felt himself to be directly involved in the renaissance of Palestinian life and politics.

These actions were taken with the support and financing of the United States. How can you say this is part of U.S. adherence to international law and U.N. resolutions? The result is a kind of schizophrenic picture of the United States.

The Orient and Islam have a kind of extrareal, phenomenologically reduced status that puts them out of reach of everyone except the Western expert. From the beginning of Western speculation about the Orient, the one thing th orient could not do was to represent itself. Evidence of the Orient was credible only after it had passed through and been made firm by the refining fire of the Orientalist’s work.

Speaking as a New Yorker, I found [September 11] a shocking and terrifying event, particularly the scale of it.

The definition of terrorism has to be more precise, so that we are able to discriminate between, for example, what it is that the Palestinians are doing to fight the Israeli military occupation and terrorism of the sort that resulted in the World Trade Center bombing.