Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.
Edward WestonVery often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.
Edward Weston...the pepper is beginning to show signs of strain, and tonight should grace a salad. It has been suggested that I am a cannibal to eat my models.
Edward WestonTo compose a subject well means no more than to see and present it in the strongest manner possible.
Edward WestonNow one does not think during creative work: any more than one thinks when driving a car. One has a background of years โ learning โ unlearningโ success โ failure โ dreaming โ thinking โ experience โ back it goes โ farther back than one's ancestors: all this, โ then the moment of creation, the focussing of all into the moment. So I can make โ "without thought" โ fifteen carefully-considered negatives one every fifteen minutes, โ given material with as many possibilities.
Edward Weston