The best moment in writing any book is when you just can't wait to get back to the writing, when you can't wait to re-enter that fictional place, when your fictional town feels even more real than the town where you actually live.

I'm just melancholy by nature, and a lot of that gets into my writing.

It's not a matter of whether the reviews of your books are good or bad, it's about being taken seriously, both as a woman writer and as a writer of color. Also, it worries me when people point to a couple of women writers or writers of color who get some attention - and I am sometimes pulled into that category - to prove that others are getting a fair shot. It's like those people who keep saying that racism no longer exists in this country because Barack Obama was a President of the United States.

I see the sharp inequality between how Haitian and Cuban refugees are treated in Florida. Both groups come here because their lives are equally desperate. But on arrival, the Haitians are incarcerated, and some are immediately repatriated, whereas Cubans get to stay and are eligible for citizenship.

I think all artists are looking for a subject or are sometimes unsure of their subject, but immigrant artists bring another culture to that and they bring also the place where the original culture meets the new culture.

Often when you're an immigrant writing in English, people think it's primarily a commercial choice. But for many of us, it's a choice that rises out of the circumstances of our lives. These are the tools I have at my disposal, based on my experiences. It's a constant debate, not just in my community but in other communities as well. Where do you belong? You're kind of one of us, but you now write in a different language.

Someone has said that nations have interests, they don't have friends, and you see that over and over in U.S. policy.