Or even the state of Florida, where they are prepared to execute children. Umm, well, you hope that at least that there is something there to be claimed.

It seemed from the media that we were being told that all Haitians had AIDS. At the time, I had just come from Haiti. I was twelve years old, and the building I was living in had primarily Haitians. A lot of people got fired from their jobs. At school, sometimes in gym class, we'd be separated because teachers were worried about what would happen if we bled. So there was really this intense discrimination.

The Attorney General made another astonishing claim, that there were Pakistani terrorists possibly coming on these boats from Haiti. No one has ever seen a Pakistani coming on a boat from Haiti yet.

There is this split between the Haiti of before the earthquake and the Haiti of after the earthquake. So when I'm writing anything set in Haiti now, whether fiction or nonfiction, always in the back of my mind is how people, including some of my own family members, have been affected not just by history and by the present but also by the earthquake.

I remember reading an interview with a writer who said that in nonfiction if you have one lie it sort of messes it up. But in fiction the real details give you so much more credibility, because people do so much research just to write fiction. In fiction you're trying to recreate something lifelike.

I see the sharp inequality between how Haitian and Cuban refugees are treated in Florida. Both groups come here because their lives are equally desperate. But on arrival, the Haitians are incarcerated, and some are immediately repatriated, whereas Cubans get to stay and are eligible for citizenship.

Toni Cade Bambara said: “Writing is the way I participate in the struggle.”