The postcard is sacred to me. It makes me sad that no one sends them very much anymore because of email and texting. I still like to buy them, but they've lost their original function and now just seem like reminders or mementos of what they used to be.

I like being married to another writer. You get to trade ideas. You get to talk shop. You get to complain. You get to gossip. And you don't have to explain why you're in such a bad mood when your work isn't going well.

I have a lot of respect for advertising. If I didn't teach and could go back in time, I might try and become a copywriter. I especially like print ads that combine a photo with a short caption or tag line.

Sometimes you get lit students that know a lot about the canon but virtually nothing about contemporary poetry and vice versa. I like to mix things up.

It's my experience that people write better when they feel at ease and free to experiment, rather than being in a competitive, hypercritical atmosphere. There are always a few students who want me to be tough or harsh, but it's really not my style.

I don't write every day, but if I go more than a couple of months without writing, I begin to get a little nervous. I usually have bursts of poems. Five or six come together and then I slack off and want to do something else.

The inner and outer, the visible and invisible, the abstract and concrete - you've got to get the balance right (not that I do, but it's something to aim for).