I tend to like poems that are short as well as funny. I love Joe Brainard and Aram Saroyan. And I think their sense of humor and minimalist approach are pretty radical.

In Chicago, if you tell someone you're a writer, they look at you suspiciously - as if to say "yeah, right." In New York, people don't question the idea. If you say you're a writer, that's what you are.

Technology sounds quick and easy, but it ends up taking up too much of your time.

In the past things were either in your head (subjective, imaginary, fantasy) or else they were part of the outside world - cold, hard, concrete materialistic reality. If you want to look at it in terms of poetry, there was surrealism and objectivism. Now there's the veil of the virtual in between. The old opposition between inner and outer doesn't quite capture it, especially as it contains elements of both. It's real but not concrete.

The postcard is sacred to me. It makes me sad that no one sends them very much anymore because of email and texting. I still like to buy them, but they've lost their original function and now just seem like reminders or mementos of what they used to be.

To be honest, I wasn't crazy about the kind of poetry I found in high school English books. I didn't get really excited about poetry until I discovered Lorca in college. If it wasn't for surrealism, I'm not sure I'd have become so involved in poetry. I was attracted by the extravagant imagery and elements of fantasy. This was in the '70s and it seemed to fit the psychedelic mood of the times. I found it liberating.

I tend to like poems that are short as well as funny. I love Joe Brainard and Aram Saroyan. And I think their sense of humor and minimalist approach are pretty radical.