I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.

Basically, my mother is a piano teacher, and she actually teaches piano at Yamaha School of Music today. She's a really, really amazing human being and is very patient. She had enough patience for me, as a kid, which I'm very thankful for. She made sure that music was a part of my general education as well.

The main thing about the word jazz, is that it's very limiting to what people are doing.

I started playing classical music, and I still do. I think music ultimately is kind of on a theoretical level, is about collecting and learning as much vocabulary as possible. It's kind of like writing. It's kind of like writing because the more you read, the more you hear people describe things. The more you soak in, as far as vocabulary, the more access you have in order to express yourself accurately and vividly.

As far as the people that have inspired me, they're the people that I have played with the most. For example, the record that I made called Virtue, there was a wonderful band and a wonderful drummer by the name of Ludwig Afonso and a wonderful bass player by the name of Armando Gola.

My dad, was, by trade, he had a Ph.D. in mechanical engineering. He's a huge, huge jazz fan. He used to travel all the time for projects, and he used to collect jazz records. He used to collect hundreds and hundreds of jazz records because he had this passion for it. That's kind of how they had certain hobbies together with my mom.

My mom was a musician, and my dad had this passion for music. That's kind of how a lot of their relationship was built. When I came around, I was constantly exposed to music.