The intimate conversations have its moments, because you have to sell the characters, because there is so much going on. It's so easy to get lost in the special effects and forget about the performances. The dialogue scenes have been great. It's been great working with Bryan and the writers to find where we're going and what's the story. Yeah, it's been really, really interesting.

Well, Mom and Dad are both actors, and Ive spent a lot of time watching my mom on stage and a lot of time on set with my dad, so it was very much a part of my growing up.

It's [Jack the Giant Slayer] one of those fairy tales your mom and dad read to you when you're little. Never once did I imagine myself in it. It's just phenomenal. Words just can't really describe it. It brings the biggest smile to my face.

There is a lot of hype about drama school, I think.

There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.

Wow, I think you grow all the time when you're working. You start the job and by the end of it, if it's a long one, you kind of say, "My God, I was so different at the start of this job." I always feel like I've changed for the better with each one.

It's hard work. It's really hard work, but it's really interesting. We have this camera, I think it's called a SimulCam, and when you play it back, you can see the giant in the scene you just shot. It's incredible. You're reacting to a tennis ball that's way up there, then when you watch it, it's this huge giant's face on it. Wow. That's cool. I just can't wait to see it when it's all edited together and the special effects are all crystal clear. It's going to be, hopefully, amazing.