I remember when I was younger. Dad's agent came round, and I asked if she would represent me. She didn't represent children at the time, but I wouldn't let her leave the house until she agreed. I've always been quite headstrong.

Well, Mom and Dad are both actors, and Ive spent a lot of time watching my mom on stage and a lot of time on set with my dad, so it was very much a part of my growing up.

It's [Jack the Giant Slayer] one of those fairy tales your mom and dad read to you when you're little. Never once did I imagine myself in it. It's just phenomenal. Words just can't really describe it. It brings the biggest smile to my face.

I like to kind of change my performance so that there's more to play with in the editing suite. At the same time I think by the time you've done say 55 takes you're exhausted and you've kind of lost the power behind it that you had on take #1 or take #2.

The intimate conversations have its moments, because you have to sell the characters, because there is so much going on. It's so easy to get lost in the special effects and forget about the performances. The dialogue scenes have been great. It's been great working with Bryan and the writers to find where we're going and what's the story. Yeah, it's been really, really interesting.

I never trust anything that can be captured in 2 takes.

I enjoy it and just smile through it. There are days where you're just pulling your hair out, but, at the end of the day, we are the luckiest people alive, doing what we do and loving our job as much as we do. Things don't get that much better.