I never trust anything that can be captured in 2 takes.

I enjoy it and just smile through it. There are days where you're just pulling your hair out, but, at the end of the day, we are the luckiest people alive, doing what we do and loving our job as much as we do. Things don't get that much better.

It's [Jack the Giant Slayer] one of those fairy tales your mom and dad read to you when you're little. Never once did I imagine myself in it. It's just phenomenal. Words just can't really describe it. It brings the biggest smile to my face.

3D, the ever-changing 3D. It's great. It's been really interesting. My family came to the set a few times, and I see them with their 3D glasses on. It's lovely to have them there and be a part of it, and see the magic that we're playing with, because it really is incomprehensible until you see it on a 3D screen.

I remember when I was younger. Dad's agent came round, and I asked if she would represent me. She didn't represent children at the time, but I wouldn't let her leave the house until she agreed. I've always been quite headstrong.

I can't walk five steps without someone on a walkie talkie going, 'She's wandering over there.' I'm pretty stuck, but hey, it's been great.

I like to kind of change my performance so that there's more to play with in the editing suite. At the same time I think by the time you've done say 55 takes you're exhausted and you've kind of lost the power behind it that you had on take #1 or take #2.