I started the film [Hostel Part II]with the girls in an art class and there's a nude male model. People think that women are objectified, well here you go! Here's a man being objectivized but now it's under the guise of art.

I want to have an ending where people say: "That's the most shocking ending I've ever seen in a mainstream horror film."

You know, the best thing you can say about a horror film is, 'Don't see it.'

Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"

Quentin Tarantino faced the same backlash when his films came out until eventually people felt they were actually much smarter.

Anytime you make a movie, the goal is a wide theatrical release, with the right distributor.

I want a movie that 30 years from now, people can look back and see it as a reflection of where the culture was at - as a barometer of the culture.