You can pretend everything's fine, but if there's an unhappiness or you're not having sex or you're not communicating or you're made to feel third best in the house and you don't address it and you just try to put on a nice face and a smile, that kind of aggression and anger is going to come out in some sinister way.

I feel like in the '90s, horror just lost its way and everything became so safe and watered-down.

My parents love it! They're on set. They make cameos in the movie. My father is a psycho-analyst and a professor at Harvard and he told me how many of the other professors at Harvard have gone and seen it. They love 'Hostel' and they love the thought behind it.

I'm from Boston, and in Boston, you are born with a baseball bat in your hand. And actually, most of the bats in Massachusetts are used off the field instead of on the field, and we all had baseball bats in our cars in high school.

Horror audiences don't need to see some TV actor they're familiar with.

I don't want people to feel: "Why am I watching this? It's sick and sadistic." I want people to watch and think it's scary but they can't wait to see what happens next. I also wanted to make a movie that was watchable.

Even the European critics... They said Hostel is the smartest film they'd seen on capitalism and how it's gone too far.