Dawn Of The Dead is about how we're just a country cannibalizing itself, turning into one shopping mall, and everyone at the mall is just brain-dead, wandering around. Capitalism gone awry, and the worst parts of human nature coming out. All these different things that people read into the films that are all there, very strong anti-Bush sentiments that went into making those films. It's great. I like it when people get it the second or third time, when someone else points it out to them. They don't realize it's been there all along. Those are my favorite movies.

You do need an outlet to release all of those fears. You build it up and then, when you go to a movie theater, it's the last place that it's socially acceptable to be terrified. It's saying that, for the next 90 minutes, you're allowed to be afraid and you're not a coward for feeling that way.

Lucio Fulci is such a massively underrated director. Everyone knows him as the Godfather of Gore.

I'm not interested in going after a part. I think if someone wants me for a part and approaches me then I'll take it on a case-by-case basis and see what that part is.

The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.

It's just assumed that a horror sequel is going to be bad. It's never going to be as good as the first one.

I don't want people to feel: "Why am I watching this? It's sick and sadistic." I want people to watch and think it's scary but they can't wait to see what happens next. I also wanted to make a movie that was watchable.