To think of a film from the point of view of a tank barrel is already so inhumanly positioned. This is when film can reveal itself scandalously.

I don't particularly have a good memory. I think history is many times just the text written by the victors. I wanted to counter that aspect.

What cinema can do is the reordering of this reality from a certain chaos or from a certain order into an aesthetic dimension.

I don't really know what people's perception about Palestinians.All art is to better life. We want to create hope and share with others. Create more pleasure, and object to despair. Really it's about that. A space where we can be less aggressed upon.

Silence can be intimidating, sometimes provocative, sometimes a form of resistance because it dislocates.

If a person just takes what is socio-political and geographical from the themes of my films then that's not enough. But if the person goes out of the theatre and, for example, makes the dinner he's eating later on, extra nice then I feel that I have succeeded. We have this urge to anaesthetize the moment we're living in.

The problem is that when you grow absolutely certain that all authorities are corrupt, then that would include the Palestinian authorities as well.