To think of a film from the point of view of a tank barrel is already so inhumanly positioned. This is when film can reveal itself scandalously.

Living more intensely, more lovingly, with more camaraderie, that is in itself resistance.

It's a false illusion that we wake up thinking of who we are in terms of identity and that we are stuck in the boundaries of who we are nationalistically.

I don't want what you see on the screen to just be a brief notion of pleasure but something that lingers. The idea is to have the images revisited. I want it to be something that also enhances the soul. I want the moment of pleasure to produce an attachment.

People in power tend to find poetry dangerous to them because it is dislocating, they can't catch it, can't control it. They prefer coherence, what's blunt and has clarity.

To think of a film from the point of view of a tank barrel is already so inhumanly positioned. This is when film can reveal itself scandalously.

I am more at peace than I've ever known myself to be. My connectedness to the world is more intense. I am more attentive to the humanity around me.