If you read Exodus 15 carefully, it describes a storm at sea. This is the old Yahwistic source. In the retelling of the story in the later Priestly source, it is more miraculous: The water stands up on either side like a wall. There are walls of water standing up. As you move back in time, oddly enough, the story becomes more historical.

Writers write because they cannot allow the characters that inhabit them to suffocate them. These characters want to get out, to breathe fresh air and partake of the wine of friendship; were they to remain locked in, they would forcibly break down the walls. It is they who force the writer to tell their stories.

Love makes everything complicated.

Did I write it so as not to go mad or, on the contrary, to go mad in order to understand the nature of madness?

Warmed-over loves and soups are generally not recommended.

A Jew who converted, who simulated, was, at least in some periods, safe. Hitler in the beginning did not want to kill all the Jews but he wanted us to have a Germany free of Jews. If America had allowed Jews to come in, the British had accepted Jews from Palestine, they were safe.

If you read Exodus 15 carefully, it describes a storm at sea. This is the old Yahwistic source. In the retelling of the story in the later Priestly source, it is more miraculous: The water stands up on either side like a wall. There are walls of water standing up. As you move back in time, oddly enough, the story becomes more historical.