The future of Afghanistan is incredibly dark, and decisions are happening incredibly quickly. Speculation is a fool's game, but I've seen many political projections that look like the Taliban could hold most of the country, and possibly Kabul, within perhaps a short time. I can't imagine how Afghanistan's fall isn't going to be ten times faster than Iraq's. The role of women in that space is terrifying, and the idea of retribution is a nightmare.

I worked with two young women translators. One died and the other received a death threat from the Taliban.

You can't be wrong in journalism. Take a wrong turn in journalism, and you are writing fiction. You can take a wrong turn in poetry, and something wonderful can happen.

I think most good poetry is about suffering; I think that's what underlies the love in these landays pieces - suffering and longing.

I was surprised by the level of sophistication of the Special Operation forces. Among them were anthropologists and PhD candidates. I felt because I understand the patterns of nineteenth-century jihad in West Africa that I was definitely going to be more advanced than they were in comprehending what the militant rallying cry was.

The power of the voice in rap is about the expression of truth, rather than the expression of some kind of artifice. Landays, they're about love and pleasure and oppression and levels of oppression within a family. And because of that, I think rap music is probably closely related.

Poetry isn't as relevant in the Western world as it is in Afghanistan. And not many people make time for something that doesn't feel relevant.