The novelist's--any writer's--object is to whittle down his meaning to the exactest and finest possible point. What, of course, isfatal is when he does not know what he does mean: he has no point to sharpen.

... in general, the Anglo-Irish do not make good dancers; they are too spritely and conscious; they are incapable of one kind of trance or of being seemingly impersonal. And, for the formal, pure dance they lack the formality: about their stylishness (for they have stylishness) there is something impromptu, slightly disorderly.

One can live in the shadow of an idea without grasping it.

The best that an individual can do is to concentrate on what he or she can do, in the course of a burning effort to do it better.

She had one of those charming faces which, according to the angle from which you see them, look either melancholy or impertinent. Her eyes were grey; her trick of narrowing them made her seem to reflect, the greater part of the time, in the dusk of her second thoughts. With that mood, that touch of arriere pensee, went an uncertain, speaking set of lips.

life is a succession of readjustments.

we can surmount the anger we feel. To find oneself like a young tree inside a tomb is to discover the power to crack the tomb and grow up to any height.