I wrote a paper [in school] on [William] Faulkner and no one could tell what the sentences meant.

I think when you're a writer most of what you read influences you. The rhythms get into your head.

In middle school I wrote a paper on Hemingway and none of the sentences had more than five words.

The defining aspects of westerns are still pretty much in place - namely landscape and conflict. In other books the conflict can be internal, but in westerns it usually plays out on a big stage.

Promised Lands was a better book in my opinion, and it's still my mother's favorite of the three I've done, but I doubt anyone who isn't a blood relative has ever heard of it. Which is to say expectations aren't worth much in the book world.

As for anticipation, you never know what to expect of a book. They're like kids: you bring them into the world, fret about them, and then at some point there's no other option but to turn them lose and see how they do.

The Night Journal received two awards that I'm terribly proud of - -the Spur from Western Writers of America, and the Willa Literary Award from Women Writing the West. Both these groups are filled with great writers and good people.