As for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.

The defining aspects of westerns are still pretty much in place - namely landscape and conflict. In other books the conflict can be internal, but in westerns it usually plays out on a big stage.

I think when you're a writer most of what you read influences you. The rhythms get into your head.

It took me ten years to write The Night Journal, so that was a big ordeal.

When I was six I wanted to be a ballerina. By the time I was eight I was fairly sure this plan wasn't panning out. I began aspiring to be an "Aquamaid" at a resort called "Aquarena Springs" in my hometown of San Marcos: Aquamaids got to wear mermaid tails and feed milk bottles underwater to Ralph the Swimming Pig for an audience submerged in a "submarine".

Angle of Repose is one of my favorite books. I fell in love with it in college. When I submitted The Night Journal to my agent she got very excited because she said it reminded her of Angle of Repose.

I'm halfway through a novel set in two time frames - Austin in the 1960's and Alpine (Texas) in present day. It started out to be a small, lighthearted, humorous book about family relationships; I was tired of writing war stories and tragedies.