The author with the greatest influence on me is my friend Stephen Harrigan, who critiques everything I write before I even bother to show it to my agent or editor. He's a truly great writer - author of Gates of the Alamo and other books you might know of, and his instincts about what's working in a story, and what's not, are just about perfect. My books would be very different without his influence.
Elizabeth CrookAs for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.
Elizabeth CrookWhen Larry Wright won the Pulitzer for The Looming Tower we all strutted around for weeks, until some sourpuss among us noted that it was actually Larry, and not the rest of us, who won the prize.
Elizabeth CrookWhen I was six I wanted to be a ballerina. By the time I was eight I was fairly sure this plan wasn't panning out. I began aspiring to be an "Aquamaid" at a resort called "Aquarena Springs" in my hometown of San Marcos: Aquamaids got to wear mermaid tails and feed milk bottles underwater to Ralph the Swimming Pig for an audience submerged in a "submarine".
Elizabeth CrookAs for anticipation, you never know what to expect of a book. They're like kids: you bring them into the world, fret about them, and then at some point there's no other option but to turn them lose and see how they do.
Elizabeth Crook