Promised Lands was a better book in my opinion, and it's still my mother's favorite of the three I've done, but I doubt anyone who isn't a blood relative has ever heard of it. Which is to say expectations aren't worth much in the book world.

The defining aspects of westerns are still pretty much in place - namely landscape and conflict. In other books the conflict can be internal, but in westerns it usually plays out on a big stage.

It took me ten years to write The Night Journal, so that was a big ordeal.

When I started escaping to a neighbor's house to watch what I darn well pleased, it turned out to be The Big Valley. Every afternoon my friend and I would pour grape juice over mounds of ice cream and settle in to see what was happening with Barbara Stanwyck and Linda Evans and the boys in The Big Valley.

Angle of Repose is one of my favorite books. I fell in love with it in college. When I submitted The Night Journal to my agent she got very excited because she said it reminded her of Angle of Repose.

The author with the greatest influence on me is my friend Stephen Harrigan, who critiques everything I write before I even bother to show it to my agent or editor. He's a truly great writer - author of Gates of the Alamo and other books you might know of, and his instincts about what's working in a story, and what's not, are just about perfect. My books would be very different without his influence.

I'd be a dope to compare my writing with Wallace Stegner's, but that book probably influenced me in ways I didn't even realize while I was writing The Night Journal.