... And the only way to find that honesty is to not overthink it. For your writing to come alive--to be multi-dimensional--you must barter away some control.

People may come and go,lives may change in a instant,but love and friendship will last forever.

If I have all the faith so as to move mountains,but do not have love,then I an nothing.

... And the only way to find that honesty is to not overthink it. For your writing to come alive--to be multi-dimensional--you must barter away some control.

Subplots bring realism to your main plot simply by existing – by interrupting the flow. Why is this? Because life doesn’t move forward all at once. Interruptions happen, change rushes in, we juggle three or ten balls at once. Readers don’t expect continuous narratives.

Most short stories have but one plot. The very best, however, have what I call a plot-and-a-half – that is, a main plot and a small subplot that feeds in a twist or an unexpected piece of business that ads crunch and flavor to the story as a whole.

Sandy is kind. But she has a smart mind