The first time we did it [voice-over], I was trying to use my face and my eyes more so and really portray that emotion, and that didn't matter. I realized you have to bring that emotion into the way you sound, and all those different layers have to be in your voice instead of the way you are wrinkling your eyebrows or whatever. I had to learn how to do that.

I get very emotional about time periods I never lived in, but I have a weird connection to them. The mystery of it becomes about hearing the stories of those eras, and creating nostalgia from those stories.

I don't think you should try to be anything you're not. If you're not smiling all the time or always happy - I don't think it matters. If you're having bad day, show you're having a bad day. Don't try to put up something that's fake.

I think as an artist that's the best thing you can have - a personal stamp on something.

Acting is different from dance. The black-and-whiteness of dancing is mostly about the technical form - like, this is how people have been doing it for millions of years. You can't let down those ballerinas who died a long time ago. My teacher will say, "This person would be ashamed!" And it's like, oh God. But with acting, it's different because people like something fresh. You can mix it up and create your own thing and it's not necessarily wrong.

There is also an awakening to beauty, because when you're really young you don't have that concept or opinion in place, so you make your own discoveries. It's different now with technology, and the constant bombardment of images.

For my own style, I love vintage. 60's and 70's are my favorite. I love baby doll dresses and the soft colors. I try to mix a little bit of modern into that - maybe I'll wear it with boots. At my school we wear a uniform, but we have one day a week we can wear whatever we want.