I love all vintage-everything, really. I love fashion. I've always loved it. And the fifties, I've always loved.

I always wanted to be a part of Nicolas Winding Refn world, but knew he would never make a movie that has a teenage girl as a lead. Obviously not. Then I heard he was and it was in the fashion world. What? Just combining what we think of [with Refn] - masculinity and violence - in his films with that world was so interesting to me.

I get very emotional about time periods I never lived in, but I have a weird connection to them. The mystery of it becomes about hearing the stories of those eras, and creating nostalgia from those stories.

It's cool because, as you get older, you get offered older parts. You're older, so you can't play 10 anymore. That was always very exciting for me.

As my sister got older, I saw how excited she got when she got to do all of that stuff. I was always like, "One day, I'll get to do older parts." I thought that was cool.

I was always a fan of Nic. With his movie, you know it's "A Nic Refn Movie."

I was kind of scared at first to do that [vice-over] because when you're on set, a lot of the things going on around you - the environment and playing off other actors - and that's what makes it easier and helps you to be in your character. So, realizing you're not going to have that and you're going to be secluded in this booth, it's like, "How am I going to be a character when I'm just in these walls?"