I was trained by Method acting teachers and we were taught that aside from whatever gift you may or may not have or the level of that gift, that you were obliged to know how to build a table. It's a craft. It's like being a ballerina or a violinist.

The way Hollywood portrays mothers - you're either all good and saint-like, or you're all bad. And I think the real honesty of motherhood is not given a voice in movies. I miss that as an audience member.

I have no problem being 53. Why would I want to be 35 again? I want to discover who I am in my 50s. And if I tried too hard to look younger, it would seem that I was uncomfortable with who I am, wouldn't it?

I just would never go audition, and yet I was in very visible places where people would come looking for actors. I say I'm lazy, though I'm sure if I were in therapy for a lot of years, it would turn out to be a lot more than laziness. After awhile, it was, like, too embarrassing for me not to go on auditions. I had to be humiliated into it.

I wish I had a little more ambition. But then what would I do? Turn down more roles with more vehemence? Me no likey worky.

I studied acting for 10 years before I went for an audition. I studied with Lee Strasberg and Actors Studio teachers, and went to the High School of Performing Arts.

There's no slow build anymore where you get a little part, then you get a little better part, then a better part, until one day your agent calls you us and says, 'guess what, you're a movie star,' and you say, 'Thank you!'