My first movie was 'Diner.' My second movie was 'Tender Mercies.' I did really good work.

I’m tenacious, I think – I know – and I do also have a quality where if you tell me I can’t do something, if I know I can’t do it I’m the first to raise my hand and say, “I can’t do that.” But there is a big Bronx, New York Jew in me that just says, “Really? Really? You think I – yes, I can. I can do it. I can do it.

I'm a little more extreme than a homebody. Unless there's some event I really have to go to, I don't like to leave my house.

No more bare bodies in film scenes for me. For my children's sake, I must stop. The other kids at school keep throwing it up to my children, and they are not kind.

You've got a movie where the pro-choice family gives their daughter no choice. The pro-life family murders. What seems to be the good mother, the kind of hippie painter, sweet and cute mother has no love for her daughter really.

I'm Method trained. How is this character like me? What does she think of her mother? What does her mother think of her? It's like construction, and then, yes, you hope you're talented and that the universe aligns and captures the kind of laborer's work you've done and whatever else sprinkles down on you, and it's all caught on film or onstage.

It is clear I was never the Pretty Girl. I had my two front teeth knocked out when I was 10 and didn't fix them until I was 19. I have a crooked smile and a nose that looks like it's been broken 12 times but never has been. My nose was always red, so people called me Rudolph. My whole face is off-center.