The way Hollywood portrays mothers - you're either all good and saint-like, or you're all bad. And I think the real honesty of motherhood is not given a voice in movies. I miss that as an audience member.

I'm Method trained. How is this character like me? What does she think of her mother? What does her mother think of her? It's like construction, and then, yes, you hope you're talented and that the universe aligns and captures the kind of laborer's work you've done and whatever else sprinkles down on you, and it's all caught on film or onstage.

But one of the hardest things for me to do was to access anger. I could do it on stage. But when I did it on film it was hard for me. That probably has to do with the intimacy of film. And my own personal issues with expressing anger. So I had to learn how to do that.

I was trained by Method acting teachers and we were taught that aside from whatever gift you may or may not have or the level of that gift, that you were obliged to know how to build a table. It's a craft. It's like being a ballerina or a violinist.

When I played Leonardo DiCaprio's mother, they liked that Leo had very hooded eyes and a rounded nose with a ball. They said, They look like they could be mother and son.

'Normal Heart' was my most transcendent moment as an actor.

The more powerful you become, some people especially don't like it that you're a woman. I stick up for myself.