As a girl, you're supposed to love Sleeping Beauty. I mean, who wants to love Sleeping Beauty when you can be Aladdin?

But I've never been really rebellious. I've got a lot of support and I'm not pushed so hard that I feel like I'm going to burn out, which is what happens to a lot of actors in their early twenties.

I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, "Oh yeah, I want to do a movie with an accent." Not to say that it couldn't happen.

I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it ['Into the Forest'] all started.

I do what I love to do. I have awesome people who let me make the choices I want to make. I navigate things by whether I want to play a part or not, to be honest.

X-Men is massive, like nothing I've ever experienced. But great in its own way.

I just don't think I'm special because I'm an actor and I never would. Of course I take what I do seriously because I love doing it, and I love being in films and making films, but I don't take myself seriously.