But I've never been really rebellious. I've got a lot of support and I'm not pushed so hard that I feel like I'm going to burn out, which is what happens to a lot of actors in their early twenties.

As a girl, you're supposed to love Sleeping Beauty. I mean, who wants to love Sleeping Beauty when you can be Aladdin?

I'd ice-skated before, because I'm Canadian and that's what you do as a kid, but I'd never, ever been on quad skates.

It's just something we're talking about and thinking about all the time, reflecting on our privilege - the privilege of what it means even be able to travel.

I don't want to become unhealthily attached to what I do. I'm grateful for what I do, but I also want to be able to be OK when I'm not doing it.

No matter what character your play. I feel like whenever anyone is honest and whole and well-written, you're going to be able to connect to that person because we're all kinda made up of the same stuff and I think that's always one of the really powerful things about approaching each individual character and role and film.

I remember having been with this book [Into the Forest] for a long time, and I remember the moment that she [Patricia Rozema] sent me the script and what it was like to read it for the first time. I just was so blown away by how she managed to capture the story and their relationship to each other, and the nuances of that.