I've always been a huge fan of Patricia's [Rozema ], as a director and as a writer, and she's a friend. For me, Patricia is one of those people who can cross genre in a way that I think has been pretty incredible, if you look at her career and the versatility of her work.

To be in a position, at my age, where I am financially independent, I can help develop things, I can promote stuff that I believe in, I can say no a lot and spend time writing - that is a gift.

It's a beautiful book [Into the Forest], so for those who are thinking about reading it, they absolutely should. First and foremost, I just devoured it, as a story. At that time, and still, it just encompassed a lot of things that I was thinking about, and that the world is thinking about, with society's relationship to the environment, our personal relationship to it, and how disconnected we are from it, myself included.

It's really crucial to achieve that balance with a film like this, cause it is unique and witty and then there's the tendency to force that. It becomes contrived and I know the feeling like, give me a fork that I can stab in my eye in those kinds of movies.

I'm not used to being in front of a camera as myself. I'm not used to watching myself as myself.

I've always been drawn to stories and telling them; whether it was through being a part of theater when I was a little kid, or film, or with music, there's just been an innate desire to feel that connection.

The thing I like about acting is being able to lose yourself completely in someone else.