I think a lot of the time in films, men get roles where they create their own destiny and women are just tools, supporters for that.

I always take the time to eat well and eat locally because it's common sense.

I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it ['Into the Forest'] all started.

Sometimes I see movies and I get almost angry - because I'm like, I can never make that movie. It stems from a jealousy, but from a good kind of jealousy. It's inspirational.

It's really crucial to achieve that balance with a film like this, cause it is unique and witty and then there's the tendency to force that. It becomes contrived and I know the feeling like, give me a fork that I can stab in my eye in those kinds of movies.

The idea behind it did come out of my love for travel shows. I loved them as a little kid and I loved Anthony Bourdain, but I really did want to see one about LGBTQ communities and culture and the specific country that we visit. Of course it is about the joys and the triumphs and the nightlife, but sadly, unfortunately, it's also about the discrimination that people face, because that's the reality.

I think that is funny to say because I've always loved her work and her strength and vulnerability, and the intensity of Evan's [Rachel Wood] performances. And to know her as a friend, know her as someone who we just have fun, whatever, and then see how present she is when she's working and how powerful she is. It was really awesome to get to sort of go into this different dimension with each other.