When I was in Paris, all of the German refugees began to flow in and it was a very sad time.

Talking about a materialistic thing, I get about 13 times more royalties from Europe than I do from America.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

The Quartets have been a major part of my work.

Silences between movements are employed only in order to bring the opposing duo to the fore.

Almost every one of my various zero numbered birthdays has had a big concert in London and often in Paris.

Right at the end of the war I wrote a piano sonata, which was written at a time when Sam Barber used to come down here and we used to have lunch together in a very nice old hotel that's now not there.