If I am frightened then I can hide it If I am crying, I'll call it laughter If I am haunted, I'll call it my imaginary friend If I am bleeding I'll call it wine But if you leave me then I am broken And if I'm broken then only death remains

I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).

I used to be disgusted; now I try to be amused.

There are many critics who have an idealised version of where my strengths lie.

I'd been to Memphis before, but we stayed out of Memphis early on in the late 70s for obvious reasons. People were very sensitive about Elvis Presley, and my stage name obviously would be provocative to some people in that area at that time.

Songs are more powerful than books.

I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way.