Hungarian Language — savage it may be but of a beauty that has nothing human about it, with sonorities of another universe, powerful and corrosive, appropriate to prayer, to groans and to tears, risen out of hell to perpetuate its accent and its aura…words of nectar and cyanide.

Nostalgia, more than anything, gives us the shudder of our own imperfection. This is why with Chopin we feel so little like gods.

Only optimists commit suicide, optimists who no longer succeed at being optimists. The others, having no reason to live, why would they have any to die?

We are all deep in a hell each moment of which is a miracle.

No one can do without some semblance of immortality, and even less will they deny themselves the right to seek it out in the form of this or that reputation, starting with the literary... Since death has come to be accepted by all as the absolute end, everyone writes.

I have tried to protect myself against men, to react against their madness to discern its source; I have listened and I have seen--and I have been afraid of acting for the same motives or for any motive whatever, of believing in the same ghosts or in any other ghost, of letting myself be engulfed by the same intoxications or by some other... afraid, in short, of raving in common and of expiring in a horde of ecstasies.

The deepest and most organic death is death in solitude, when even light becomes a principle of death. In such moments you will be severed from life, from love, smiles, friends and even from death. And you will ask yourself if there is anything besides the nothingness of the world and your own nothingness.