Criticism is a misconception: we must read not to understand others but to understand ourselves.

To devastate by language, to blow up the word and with it the world.

Hungarian Language — savage it may be but of a beauty that has nothing human about it, with sonorities of another universe, powerful and corrosive, appropriate to prayer, to groans and to tears, risen out of hell to perpetuate its accent and its aura…words of nectar and cyanide.

Criticism is a misconception: we must read not to understand others but to understand ourselves.

Nothing is so wearing as the possession or abuse of liberty.

Consider love: is there a nobler outpouring, a rapture less suspect? Its shudders rival music, compete with the tears of solitude and of ecstasy: sublime...but a sublimity inseperable from the urinary tract: transports bordering upon excretion, a heaven of the glands, sudden sancitity of the orifices. It takes no more than a moment of attention for this intoxication, shaken, to cast you back into the ordures of physiology or a moment of fatigue to recognize that so much ardor produces only a variety of mucous.

I am the beast with a contorted grin, contracting down to illusion and dilating toward infinity, both growing and dying, delightfully suspended between hope for nothing and despair of everything, brought up among perfumes and poisons, consumed with love and hatred, killed by lights and shadows. My symbol is death of light and the flame of death. Sparks die in me only to be reborn as thunder and lightning. Darkness itself glows in me.