Personally, I'm an advocate for short engagements. Long sometimes means there is a reason for it. Two years engaged and no wedding... I'd be upset.

I want to find something really wonderful to do next and take my time to search through the dearth of great material, especially for women.

I find it very strange doing voiceover stuff, because you find you have to enunciate and make stupid faces in order for the point to make sense, because it's playing against the deadpan Simpson face. If you're just speaking in the regular way you speak, it will sound really boring.

I had to learn to dance for 'The Adjustment Bureau' and it was nearly impossible. I turned up with my knees knocking in my leotard and went home and cried my eyes out.

I appreciate a slow-burn romance. In most movies, everyone is just tearing their clothes off in the first scene.

It's sort of a meat market, the whole awards thing, and I don't think you can predict it anymore - who's going to like what you've done, if it's worthy or not. And hopefully, that's not why you make a film, because if you're distracted by that, or only striving for that, you don't do it justice.

I don't really watch that much TV, to be honest.