People just want to know something, anything. It's all the stuff you never want to talk about, the private stuff.

I had to learn to dance for 'The Adjustment Bureau' and it was nearly impossible. I turned up with my knees knocking in my leotard and went home and cried my eyes out.

I'm not someone who likes to plan too much ahead.

I really asked myself, “Oh, my god, how am I going to do this?” That’s what I aspire to, every time I take on a new role.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

Personally, I'm an advocate for short engagements. Long sometimes means there is a reason for it. Two years engaged and no wedding... I'd be upset.

You shouldn't strategize your career if you're in a creative realm. You can't either. I love the unknown. I love the element of surprise. I've always felt really inspired by it. I love the spontaneity of the job. I think you can't really fight against it.