My take on people and on the characters I play in Transsiberian, the role you're looking for, is that everybody is more than one thing. We're many things, all of us, and there are times when we are capable of great levity and jolliness and then there are times when the opposite is true.

There were moments where I was being kicked in the stomach, and even though I had this brace on to protect me, I still had to prepare myself for it . You can't be relaxed when that's happening. You have to brace your muscles. I can remember thinking as it was about to happen "Wasn't that how Houdini died?" I think it was.

51st State was one that I loved doing because the character was so out there, and in a way I was sad to leave the character behind. I'm afraid I could never be that cool in real life!

I've only half-admitted I'm a professional. I know I am, I've paid my dues, but one of the things I could do better when I'm acting is to really be rigorous and to think I know how to do it. To use my brain.

It is brilliant going to the theatre and being forced to sit and listen and think about life. It can be almost a near-religious experience.

I'm always sort of anticipating life being difficult, but on a basic level, that's sort of on the surface, on a basic level, I'm optimistic in the sense that I think it's all going to be alright in the end.

My take on people and on the characters I play in Transsiberian, the role you're looking for, is that everybody is more than one thing. We're many things, all of us, and there are times when we are capable of great levity and jolliness and then there are times when the opposite is true.