51st State was one that I loved doing because the character was so out there, and in a way I was sad to leave the character behind. I'm afraid I could never be that cool in real life!

You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.

I guess secrets are part of the fabric of everybody's lives. I mean everybody's lives, and guilt is part of the fabric of everybody's lives.

I'm physically completely mal-coordinated. My best friend used to make me run for the bus just to give herself a quick, cheap laugh because I definitely don't have that sophisticated cool thing down.

I've only half-admitted I'm a professional. I know I am, I've paid my dues, but one of the things I could do better when I'm acting is to really be rigorous and to think I know how to do it. To use my brain.

I was terribly shy when I was growing up, I really wasn't confident with other people and I think I was always afraid of up or not being this very cool, amazing person that I wanted to be.

I never felt I was quite the ticket academically. I always felt I had to put in an enormous amount of effort not to be disappointing. So I worked really hard, but at the time it suited me, because I didn't do very much else.