Accents are very tangible, blessedly, and if you have to do one, it's a way of getting into character. I can read it through a few times and pretend I know what I'm doing!

I already feel a bit annoyed at myself for writing screenplays. It's a bit, I don't know, model-singer-dancer-actress that went to a posh school. There's something too weirdly predictable about it.

So far I haven't really been prominent enough to get critical attention focused on me. So, of course, I fully expect bad reviews, but I will be wracked with misery as a result.

You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.

There were moments where I was being kicked in the stomach, and even though I had this brace on to protect me, I still had to prepare myself for it . You can't be relaxed when that's happening. You have to brace your muscles. I can remember thinking as it was about to happen "Wasn't that how Houdini died?" I think it was.

I'm always sort of anticipating life being difficult, but on a basic level, that's sort of on the surface, on a basic level, I'm optimistic in the sense that I think it's all going to be alright in the end.

I think Georges Feydeau said comedy is just tragedy speeded up.