I'm just happy to be a film where for once I don't have to worry about my hair, because my managers are always complaining about my hair looking depressing in my movies. Which is true. I mean, it's true.

I'm an optimist by nature, myself, I think.

Accents are very tangible, blessedly, and if you have to do one, it's a way of getting into character. I can read it through a few times and pretend I know what I'm doing!

I wake up early. At 6:30 A.M., I'm at my most optimistic.

Every time you start a new job, you're starting from the beginning again and it's terrifying. And you feel like you're going to be fired and told to go home and never to darken the doors of these people ever again.

I think Georges Feydeau said comedy is just tragedy speeded up.

You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.