I don't know what makes a marriage work. My husband and I don't have it right at all; it's very tough on him. From the outside it looks like it's all about me - I have a glorious career and he doesn't.

It's a whole different kind of anxiety. But the great thing about doing a theatre job is that once the ball starts rolling you just have to go with it, it's inexorable.

I think so, Silence of the Lambs was a great, suspenseful thriller and I would expect Red Dragon to be similar. And I think it's very character driven.

My character Lena is somebody who responds to people in a very simple way. I didn't have to take myself off to a darkened room to concentrate, I just had to try and be open. It's an interesting, subtle relationship.

I don't know what makes a marriage work. My husband and I don't have it right at all; it's very tough on him. From the outside it looks like it's all about me - I have a glorious career and he doesn't.

During Breaking The Waves, I was on my own in a hotel room. I think I would have been impossible to live with. When you go home, you have to pretend to be the person you are at home.

As actors, we went where we wanted to, and the camera followed us: it was like having another person in the room. There was no formal structure to the process. It was very liberating.